I am fascinated and deeply moved by emotions like rage, yearning and shame. I think a lot about working conditions, structural disadvantages, class, intersectional feminism and the limits of theory. I create multidimensional works that include sculpture, print, sound, writing, reading, workshops, and more. My installations always include spaces of encounter and alternative knowledge production/ sharing.

I am a woman with a non-academic background and I started studying fine arts in my late twenties being a mother of one. Everything I did before entering the academic art world shapes and enriches my curatorial and artistic practice: Motherhood, feminism, punk, community building and low-budget decadence.

Most recently, I reconnected with the material I am most familiar with but that I avoided for a long time: clay. I am currently working on an artistic practice that is clay-based and intuitive. I want to rediscover modes of repetition and production from a material that enables me to work by heart.

Metaphorical materials as well as the way and the conditions under which a work is produced carry another layer of my work. Poetry or prose, either self-written or consumed through music and literature, often act as the cornerstones of my work.

Statement on image quality: the varying and sometimes poor quality of the documentation of my works is intended. I am critical of the high-res standard in art documentations just as I am not interested in producing polished artworks. I like dirt.