My work focuses on the human body and flesh, memories, (inner) landscapes, and the present time with its undercurrents. I am fascinated and deeply moved by the unconscious and psychological states like rage, yearning, bitterness, melancholy, and shame. I explore these themes through Haptic Research—by touching and feeling actual matter, specifically clay, porcelain, charcoal, graphite, and metal oxides. My work’s sap of life is a radically left yet romantic world view that infuses my artistic travels between antipatriarchal longings and observations of the dystopias we live in. I might communicate this rather literally through poetry, which I call Raw Writing, consisting of Écriture Automatique or autotheoretic essays. Through Poetic Abstraction, I enable myself to delve into wider, subterranean, desire-driven areas. Both poles are connected by an intuitive way of working: working from the heart.